Alarm Will Sound made their fourth annual visit to Columbia last week and went where most orchestras fear to tread: they performed music by living, breathing composers. The two shows by the 20-member ensemble offered a surprising look into the present and future of classical composition.
Some of the music playing in the Missouri Theatre this week will be heard publicly for the first time ever. That’s because starting Thursday, the University of Missouri School of Music’s annual Mizzou International Composers Festival takes the stage.
Do you like live music performances? Classical music connoisseurs know when and where local performances happen. But what about our fellow Mid-Missourians who don’t go to the symphony? What’s keeping them away?
Does what we put in our heads impact our outlook on life? The media you consume influences how you feel, but how exactly do one’s choices influence mood? Can a dose of music by Aaron Copland get you out of your funk? Will a movement of Igor Stravinsky heard at the wrong time send an emotionally fragile person over the edge?
When the jazz pianist Don Shirley died on April 6, his passing was not widely reported.
A New York Times obituary noted that the Jamaican born virtuoso pianist was trained in the classical repertoire. Later, the impresario Sol Hurok advised Shirley “to pursue a career in popular music and jazz.” Hurok warned Shirley that “American audiences were not willing to accept a ‘colored’ pianist on the concert stage.”
Missouri culture might be better known for glittering Branson shows, down home fiddle music and hip-hop from our state’s urban centers, but a local performance organization aims to add classical music to the list of artistic creations born in the Show-Me State.
If a classical musician wishes to replicate a sound from a specific period then the musician needs a period instrument. KBIA's Trevor Harris recently interviewed Vienna-based pianist Rudolf Buchbinder.