This Sunday, February 9 the chamber ensemble So Percussion brings their creative classical performance to Columbia's Missouri Theatre. KBIA's Trevor Harris recently asked So Percussion member Adam Sliwinski about the band's history, their repertoire and their commitment to teaching their craft to a new generation of percussion-oriented classical music students.
Listen to an episode of KBIA's Thinking Out Loud where Trevor Harris talks to So Percussion member Adam Sliwinski. The piece also features selections that the ensemble is expected to play in their upcoming Columbia show.
From experience I can confirm that it’s hard work to become decent on a musical instrument. No matter the musical genre or instrument, it takes consistent practice to become listenable. I’m not saying I’ve gotten listenable yet with my bass and guitar playing.
Classical music fans are increasingly using the web to share music. On any given evening you could curl up with your laptop or iPad and feast on performances of Beethoven’s Ninth, Durufle’s Requiem and lots more. Services such as the Naxos Music LIbrary make recordings available for a membership fee.
Some of the music playing in the Missouri Theatre this week will be heard publicly for the first time ever. That’s because starting Thursday, the University of Missouri School of Music’s annual Mizzou International Composers Festival takes the stage.
Guest vocalist Gavin Hope will join the Missouri Symphony Orchestra July 13. Hope's take on the songs of Michael Jackson is one concert that MOSS expects will draw new and younger Columbians to see live classical performance.
Do you like live music performances? Classical music connoisseurs know when and where local performances happen. But what about our fellow Mid-Missourians who don’t go to the symphony? What’s keeping them away?
Does what we put in our heads impact our outlook on life? The media you consume influences how you feel, but how exactly do one’s choices influence mood? Can a dose of music by Aaron Copland get you out of your funk? Will a movement of Igor Stravinsky heard at the wrong time send an emotionally fragile person over the edge?