Nancy Fowler

Nancy Fowler is a veteran journalist whose career spans television, radio, print and online media. Her passions include the arts and social justice, with a particular delight in the stories of people working in that intersection.

She received a regional Emmy Award for news writing at WXYZ-TV in Detroit, and the Pride St. Louis' Felton T. Day Award for service to St. Louis' LGBT community. Her numerous fellowships include USC Annenberg’s NEA Arts Journalism Institute in Theater, and the Wake Forest University Addiction Studies Program for Journalists.

Email her: NFowler@STLPublicRadio.org

Follow her on Twitter: @NancyFowlerSTL

In recent years, St. Louisans have turned abandoned buildings into apartments, art galleries and restaurants.  But a grassroots effort has repurposed a north St. Louis space into a much more active venue.

When members of the Board of Aldermen created St. Louis' poet laureate position, they intended to promote unity. Indeed, inaugural official poet Michael Castro was lauded for building bridges with his words.

But now the post has become a lightning rod for disagreement. 

At issue is whether the task force that recommended Castro's replacement complied with the ordinance that established the position. If not, city aldermen want to know if that invalidates the task force's choice of Jane Ellen Ibur as the city’s next poet laureate.

When members of the Board of Aldermen created St. Louis' poet laureate position, they intended to promote unity. Indeed, inaugural official poet Michael Castro was lauded for building bridges with his words.

But now the post has become a lightning rod for disagreement. 

Don’t put Rockwell Knuckles and Aloha Micheaux in a box.

He’s known as a rapper and she’s more of a pop singer, who made it to the finals in “American Idol” in 2005. But the St. Louis performers shun labels in their collaboration known as The Knuckles.

The executive and artistic director of Shakespeare Festival St. Louis is resigning to take another job.

Rick Dildine will become artistic director of the Alabama Shakespeare Festival on Aug. 1.

Dildine, who joined the St. Louis organization in 2009, resigned once before, in 2014. He took a similar position in Lennox, Massachusetts and returned one year later.

Nika Marble’s artistic toolbox holds an eclectic mix: A shot of tonic, a staccato note and a sharp pair of scissors.

Each tool is in service of one of her artistic endeavors: music, mixology and collage making. But as she dons one hat after another, how does Marble define herself? In this reboot of our Cut & Paste podcast, we talk with Marble about an identity crisis that plagues many creative people.

“Am I am I an artist who waits tables? Or am I a waiter who occasionally makes art?” Marble said. “This is a thing that has worried myself and a lot of my friends in their lives.”

A St. Louis-based organization called Prison Performing Arts (PPA) is taking a fresh approach in its 27-year-old effort to turn inmates into actors.

The program is known for the “thees,” “thous” and “forswears” of Shakespeare’s scripts. But a contemporary play on stage Thursday at the Women’s Eastern, Reception, Diagnostic and Correctional Center in Vandalia expands PPA beyond The Bard.

“Run-On Sentence” is based on interviews done with those inside the institution. Inmate Patty Prewitt said the playwright Stacie Lents took time to really understand their world.

A St. Louis theater professional took home a Tony Award Sunday night.

Chris Akerlind, resident lighting designer for Opera Theatre of St. Louis, won the Tony for Best Lighting Design of a Play for his work in the Broadway show, “Indecent!”

Akerlind has been with Opera Theatre since the early 1990s. This is his second Tony Award. In 2005, he won in the same category for “A Light in the Piazza.”

The St. Louis Symphony has named Stéphane Denève as its next music director.

Denève, music director of the Brussels Philharmonic and principal guest conductor of the Philadelphia Orchestra, will serve as music director designate during the 2018-2019 season. His three-year term begins with the 2019-2020 season.

Some lucky St. Louisan is one step closer to winning a free restaurant space in the Old North neighborhood, across from Crown Candy Kitchen.

The Fantasy Food Fare Business Competition has announced its top 10 finalists for a package worth $100,000. Lynette Watson of the St. Louis Small Business Development Center said the list represents a wide variety of concepts. (See the full list below.)

“We have everything from French fusion, all the way to desserts and soul food,” Watson said.

The delay in naming a new St. Louis poet laureate may soon be over.

in December, a poet laureate task force recommended local poet and educator Jane Ellen Ibur. The next step was up the Board of Aldermen, which oversees the position. But a dispute about whether the task force followed regulations has delayed the board’s vote for five months.

Board President Lewis Reed now says he believes Ibur will be offered the position. But first, he wants a board committee to look into the way task force chair Aaron Williams handled its affairs.

The St. Louis Jewish Film Festival is celebrating 22 years of cinema that explores historical and modern-day Jewish themes.

One of the 16 movies in this year’s schedule features an actor who influenced a generation of St. Louis theater professionals — and is also known for her role in “Sex in the City.”

Kansas City native Lynn Cohen stars in a comedy about the quest for a grandmother’s secret pickling formula.  Festival organizer Zelda Sparks said some St. Louisans may recognize Cohen from the local Jewish Community Center, where she directed youth theater in the 1970s.

St. Louis poet Jane Ellen Ibur is certainly a character. She's appeared before a class of children wearing a cape and carrying a magic wand. She sometimes wears two pairs of glasses at a time — one for distance, a second for close-up.

St. Louis’ Arts and Education Council has announced the first recipients of a new startup competition for arts entrepreneurs. The winners are Antionette Carroll and Amanda Wells.

Carroll founded a group called Creative Reaction Lab, which uses design to meet the challenges of underrepresented communities. One project brought in professionals to teach students about creative problem-solving.

Wells organized the writers’ collaborative Flow that enables writers to work together and artists to work with writers.

St. Louisans can experience a musical makeover of the classic Depression-era tale of a poor Oklahoma family when Opera Theatre of St. Louis debuts a new rendition of “The Grapes of Wrath” on Saturday.

Drought and desperation drive the Joad family of tenant farmers off the plains to California for the promise of a better life. It’s a story of good intentions and bad outcomes that resonates today, said Katharine Goeldner, who sings the role of Ma Joad.

“All they were trying to do was feed their families,” Goeldner said.

The Missouri Botanical Garden has been growing something new this week that doesn’t require water or fertilizer.

A display opening Saturday will fill the garden’s Climatron with glass sculpture. ‘Garden of Glass’ consists of 30 designs featuring flowers, butterflies and free-form pieces by artist Craig Mitchell Smith.

St. Louis’ PrideFest celebration will once again be a free event this year.

Last week, Pride St. Louis officials announced a new $5 entry fee. The community immediately responded with concern that many people would no longer be able to attend. Some Facebook posters called the move “unfair” and vowed to stay away in protest.

You know what they say: You can’t spell Cut & Paste without “u.”

OK, go ahead: groan. We're groaning with you. We know that no one says that.

But seriously, we want to know what you want to hear in Cut & Paste, our arts and culture podcast. Not necessarily “who,” but what kinds of conversations and experiences do you want to be in on?

St. Louis beer drinkers will soon be able to toast the return of a cherished brewery tradition.

Earthbound Brewery is moving into a 150-year-old building that once housed a brewery built above a natural cave system along Cherokee Street. Recently, workers hauled 600 tons of debris from one cellar beneath the old building. It took 20 people and $40,000 to complete the job, said Stuart Keating, the owner of the microbrewery.

Earthbound Brewery's new taproom is scheduled to open this month.

Adrienne Davis teaches law but she regularly cross-examines the status quo in a completely different field: the arts.

The Washington University law professor will receive an Arts Advocacy award from the Women of Achievement of St. Louis in a May 16 event at the Ritz-Carlton. The honor applauds her service on various boards including that of the St. Louis Art Museum and Opera Theatre of St. Louis.

But it also extols her efforts to infuse more racial diversity into the artistic pipeline, from art-makers to gallery attendants to curators to institutional leaders. In our latest Cut & Paste arts and culture podcast, we talk with Davis about her advocacy and why it matters.

Some in the St. Louis poetry community are upset about a delay in announcing a new poet laureate.

In December 2014, Michael Castro was ushered in with great fanfare as St. Louis’ first official poet. It was a two-year term.

This past December, the head of the task force charged with naming Castro’s successor told poet Jane Ellen Ibur that she’d been selected. But she still doesn't have the job.

There was a time when Devonshae Ali, Kimberly Romine and Gary Shepard had no place to call home.

Now they all have not only permanent addresses but a new mission: helping people see what it's like to be homeless, through a play to be staged this weekend by St. Louis’ True Community Theatre.

Every April, the words of Shakespeare echo throughout St. Louis — not just in theaters, but in bars, coffee shops and local parks.

It’s all part of a five-day event called “Shake 38,”  presented by Shakespeare Festival St. Louis. The schedule offers 38 different performances, based on the work of the Bard.

Photographer Kat Reynolds is having a moment.

In the past few months, Reynolds has exhibited at five St. Louis venues. She was named this year’s Emerging Artist by the local Visionary Awards, a prize she’ll accept April 24 at the Sun Theater in Grand Center. She’s also wrapping up a residency program at Paul Artspace, north of Florissant. Her work primarily features young people of color, friends, people she encounters on the street, or people she finds through social media.

Reynolds works all these activities around a full-time customer relations job. In our latest Cut & Paste podcast, we catch up with this busy artist, who strives to genuinely connect with her subjects.

From the beginning of his writing career, Augusten Burroughs was determined to be honest, even if writing about his often messy life would be a daunting process.

In his memoir “Running with Scissors,” and his later works, Burroughs has engaged in self-reflection, an approach that has won him a loyal following and inspired a hit movie. He continues that process in his latest book, “Lust and Wonder.”

“That’s really the key: to understand what happened to you, what your role in it was,” said Burroughs, who speaks tonight at the Schlafly Branch of the St. Louis Public Library. “Just becoming more and more and more truthful with yourself.”

When St. Louis' QFest of films officially launched, people in the LGBTQ community were barred from institutions ranging from the military service to marriage.

A decade later, LGBTQ citizens can both serve and marry.  The 10th annual festival, which opens March 29, includes a dozen films that reflect a restricted past and progressive present.

Tales based on the Bard and a Stephen Sondheim musical about the glory days of show business were the top winners at the 2017 St. Louis Theater Circle Awards.

The Repertory Theatre of St. Louis took home nine awards for work associated with the company, seven of them for the musical “Follies," including outstanding production of a musical and outstanding director. The wins topped off a year of celebrating the company's 50th season.

When St. Louis’ next mayor takes office, local artists will be waiting.

They’ve got a list of things they want the mayor — likely Lyda Krewson — to do in support of the arts. They presented their ideas to mayoral candidates in a recent forum presented by Citizen Artist St. Louis. Their goals include a living wage, more artists at the table when economic development plans are decided and recognition of artists’ economic contributions.

Shannon Geier knows what it’s like to be rejected because of the way she looks. For years, she struggled to lose weight, and was often afraid of how people would react to her.

“I felt like the love I got was conditional, based on my size,” Geier said. “[I’ve been] on blind dates and having the guy see me and turn around and run from the restaurant.”

Today, Geier is at a weight she considers healthy. Now a playwright, she hasn’t forgotten the pain of rejection, but has found a way to talk about it in "Fat," a new play on stage in St. Louis that deals with weight and body image.

A 20th century Chilean poet who wanted her daughter to be more than just a princess is the inspiration for a dance performance on stage in St. Louis this weekend at the Touhill.

The dance that is rooted in the poem is called “Destino, Roto.” It’s one of three pieces in Dance St. Louis’ “Women Who Inspire,”  the name of the organization’s fifth annual New Dance Horizons presentation.

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