Nancy Fowler

Nancy Fowler is a veteran journalist whose career spans television, radio, print and online media. Her passions include the arts and social justice, with a particular delight in the stories of people working in that intersection.

She received a regional Emmy Award for news writing at WXYZ-TV in Detroit, and the Pride St. Louis' Felton T. Day Award for service to St. Louis' LGBT community. Her numerous fellowships include USC Annenberg’s NEA Arts Journalism Institute in Theater, and the Wake Forest University Addiction Studies Program for Journalists.

Email her: NFowler@STLPublicRadio.org

Follow her on Twitter: @NancyFowlerSTL

St. Louisans can experience a musical makeover of the classic Depression-era tale of a poor Oklahoma family when Opera Theatre of St. Louis debuts a new rendition of “The Grapes of Wrath” on Saturday.

Drought and desperation drive the Joad family of tenant farmers off the plains to California for the promise of a better life. It’s a story of good intentions and bad outcomes that resonates today, said Katharine Goeldner, who sings the role of Ma Joad.

“All they were trying to do was feed their families,” Goeldner said.

The Missouri Botanical Garden has been growing something new this week that doesn’t require water or fertilizer.

A display opening Saturday will fill the garden’s Climatron with glass sculpture. ‘Garden of Glass’ consists of 30 designs featuring flowers, butterflies and free-form pieces by artist Craig Mitchell Smith.

St. Louis’ PrideFest celebration will once again be a free event this year.

Last week, Pride St. Louis officials announced a new $5 entry fee. The community immediately responded with concern that many people would no longer be able to attend. Some Facebook posters called the move “unfair” and vowed to stay away in protest.

You know what they say: You can’t spell Cut & Paste without “u.”

OK, go ahead: groan. We're groaning with you. We know that no one says that.

But seriously, we want to know what you want to hear in Cut & Paste, our arts and culture podcast. Not necessarily “who,” but what kinds of conversations and experiences do you want to be in on?

St. Louis beer drinkers will soon be able to toast the return of a cherished brewery tradition.

Earthbound Brewery is moving into a 150-year-old building that once housed a brewery built above a natural cave system along Cherokee Street. Recently, workers hauled 600 tons of debris from one cellar beneath the old building. It took 20 people and $40,000 to complete the job, said Stuart Keating, the owner of the microbrewery.

Earthbound Brewery's new taproom is scheduled to open this month.

Adrienne Davis teaches law but she regularly cross-examines the status quo in a completely different field: the arts.

The Washington University law professor will receive an Arts Advocacy award from the Women of Achievement of St. Louis in a May 16 event at the Ritz-Carlton. The honor applauds her service on various boards including that of the St. Louis Art Museum and Opera Theatre of St. Louis.

But it also extols her efforts to infuse more racial diversity into the artistic pipeline, from art-makers to gallery attendants to curators to institutional leaders. In our latest Cut & Paste arts and culture podcast, we talk with Davis about her advocacy and why it matters.

Some in the St. Louis poetry community are upset about a delay in announcing a new poet laureate.

In December 2014, Michael Castro was ushered in with great fanfare as St. Louis’ first official poet. It was a two-year term.

This past December, the head of the task force charged with naming Castro’s successor told poet Jane Ellen Ibur that she’d been selected. But she still doesn't have the job.

There was a time when Devonshae Ali, Kimberly Romine and Gary Shepard had no place to call home.

Now they all have not only permanent addresses but a new mission: helping people see what it's like to be homeless, through a play to be staged this weekend by St. Louis’ True Community Theatre.

Every April, the words of Shakespeare echo throughout St. Louis — not just in theaters, but in bars, coffee shops and local parks.

It’s all part of a five-day event called “Shake 38,”  presented by Shakespeare Festival St. Louis. The schedule offers 38 different performances, based on the work of the Bard.

Photographer Kat Reynolds is having a moment.

In the past few months, Reynolds has exhibited at five St. Louis venues. She was named this year’s Emerging Artist by the local Visionary Awards, a prize she’ll accept April 24 at the Sun Theater in Grand Center. She’s also wrapping up a residency program at Paul Artspace, north of Florissant. Her work primarily features young people of color, friends, people she encounters on the street, or people she finds through social media.

Reynolds works all these activities around a full-time customer relations job. In our latest Cut & Paste podcast, we catch up with this busy artist, who strives to genuinely connect with her subjects.

From the beginning of his writing career, Augusten Burroughs was determined to be honest, even if writing about his often messy life would be a daunting process.

In his memoir “Running with Scissors,” and his later works, Burroughs has engaged in self-reflection, an approach that has won him a loyal following and inspired a hit movie. He continues that process in his latest book, “Lust and Wonder.”

“That’s really the key: to understand what happened to you, what your role in it was,” said Burroughs, who speaks tonight at the Schlafly Branch of the St. Louis Public Library. “Just becoming more and more and more truthful with yourself.”

When St. Louis' QFest of films officially launched, people in the LGBTQ community were barred from institutions ranging from the military service to marriage.

A decade later, LGBTQ citizens can both serve and marry.  The 10th annual festival, which opens March 29, includes a dozen films that reflect a restricted past and progressive present.

Tales based on the Bard and a Stephen Sondheim musical about the glory days of show business were the top winners at the 2017 St. Louis Theater Circle Awards.

The Repertory Theatre of St. Louis took home nine awards for work associated with the company, seven of them for the musical “Follies," including outstanding production of a musical and outstanding director. The wins topped off a year of celebrating the company's 50th season.

When St. Louis’ next mayor takes office, local artists will be waiting.

They’ve got a list of things they want the mayor — likely Lyda Krewson — to do in support of the arts. They presented their ideas to mayoral candidates in a recent forum presented by Citizen Artist St. Louis. Their goals include a living wage, more artists at the table when economic development plans are decided and recognition of artists’ economic contributions.

Shannon Geier knows what it’s like to be rejected because of the way she looks. For years, she struggled to lose weight, and was often afraid of how people would react to her.

“I felt like the love I got was conditional, based on my size,” Geier said. “[I’ve been] on blind dates and having the guy see me and turn around and run from the restaurant.”

Today, Geier is at a weight she considers healthy. Now a playwright, she hasn’t forgotten the pain of rejection, but has found a way to talk about it in "Fat," a new play on stage in St. Louis that deals with weight and body image.

A 20th century Chilean poet who wanted her daughter to be more than just a princess is the inspiration for a dance performance on stage in St. Louis this weekend at the Touhill.

The dance that is rooted in the poem is called “Destino, Roto.” It’s one of three pieces in Dance St. Louis’ “Women Who Inspire,”  the name of the organization’s fifth annual New Dance Horizons presentation.

In the early 1990s, same-sex relations were illegal, the military’s “Don’t Ask, Don’t Tell” policy helped keep closet doors sealed shut, and marriage equality for same-sex couples was unthinkable.

Author Emily Robbins was a Washington University grad student in August 2013 when she saw St. Louisans protesting in University City against U.S. plans to attack Syria. She was profoundly moved by the local activists and incorporated those feelings into the book she was writing, called “A Word for Love.”

On Wednesday night, Robbins will appear at Left Banks Books to sign copies, and speak about the book and its St. Louis roots.

“There is a very active community here,” Robbins said. “That was something I really drew on and felt proud of in St. Louis.”

The story of a jazz a singer whose signature song drew attention to the brutal treatment of African-Americans will be on stage in St. Louis for the next two weeks.

Max and Louie Productions presents “Lady Day at Emerson’s Bar and Grill,” a drama about the iconic Billie Holiday. The setting is a fictional performance that takes place four months before her death.

The production includes a dozen of Holiday’s songs and a running commentary in which she looks back on her life of love, loss, addiction and struggle with racism.

St. Louis artist and activist Elizabeth Vega spends a lot of time in her home.

It’s a place in north St. Louis known as Art House, that she bought in 2015. There, she provides space for sign-making and other activities related to protest actions. She also works with local children to create kites, collages and other art to help them process their feelings. Recently, she spent five days and nights at Art House without leaving. An ankle monitoring device kept her tethered to her home.

A play by New Jewish Theatre looks at the constraints placed on women in the early 1900s: the pressure to marry early, within their race.

In much of the United States, interracial marriage would be illegal for another 60 years. Miscegenation laws forbade blacks and whites from joining in wedlock until 1967.

But even as “Intimate Apparel” illustrates that taboo, it helps the theater company break out of its own limitations, given its history of largely white casts.  Four of the six characters in this play, produced by the Black Rep in 2005, are African-American. It’s the kind of opportunity New Jewish artistic director Kathleen Sitzer continually seeks.

Hammering and drilling will soon join the chorus of tap dancing and singing at the COCA arts center in University City.

The institution will launch an expansion and renovation in early 2018. It includes a 450-seat theater, more than 8,000 square feet of studio space, a community area and a 200-car parking garage. COCA expects to complete the work in late 2019.

St. Louis-area artist Fabio Rodriguez was devastated when a very personal piece of his work was removed from an exhibition. But did that action rise to the level of censorship?

More than 150 St. Louisans traveled and slept on charter buses to join the Women’s March on Washington over the weekend.

For many, the trip was about reinvigorating family ties as well as rallying for social justice.

Music is vitally important to Riverview Gardens High School band director Harvey Lockhart. But his students' well-being ranks even higher.

During the past five years, Lockhart has made musicians out of dozens of students, changing the way they see themselves and their futures.

For his efforts, The Arts and Education Council of Greater St. Louis will honor Lockhart Monday night as art educator of the year, in a ceremony at the Chase Park Plaza.

Ron Frazier / Flickr

The St. Louis Symphony Orchestra can claim some of the glory in a Grammy Awards nomination announced today.

Violinist Leila Josefowicz was nominated for Best Classical Instrumental Solo for her performance on John Adams' Scheherazade.2, in a February 2016 recording with the SLSO. Music Director David Robertson conducted the performance.

In a September 2016 review, NPR said the piece was “masterfully illuminated by conductor David Robertson and the St. Louis Symphony Orchestra.”  

Felines are fickle subjects when it comes to video (and almost everything else).

The reclusive stars that rule my home scoff at commands to do something cute for the camera. Plus, their 23-hour-a-day sleep schedule leaves only a small window for any possible action shots of bathing, eating or chasing the elusive red dot. What would Frank Capra do?