Willis Ryder Arnold

Willis Ryder Arnold is an Arts and Culture Reporter for St. Louis Public Radio. He has contributed to NPR affiliates, community stations, and nationally distributed radio programs as well as Aljazeera America, The New York Times blogs, La Journal de la Photographie, and LIT Magazine. He is a graduate of the CUNY Graduate School of Journalism and a recipient of the Society of Professional Journalist’s award for Radio In-Depth Reporting.

Updated at 5:40 p.m. Wednesday with comments from Mayor Lyda Krewson – The day after a recent four-alarm fire engulfed the historic Clemens House on Cass Avenue, neighbors got together with brooms and shovels to start cleaning up the debris left scattered across their yards.

“We started talking and started looking and then we decided — wait a minute, we don’t know what we’re sweeping up here,” said Larry Chapman, a retired carpenter who lives on Helen Street.

When Paul Rucker received a call inviting him to bring his work confronting racism and white supremacy in United States to a Ferguson gallery, he knew he had to make the trip.

Rucker, of Baltimore, is a Guggenheim Fellow and has shown the work throughout the country. But he saw the opportunity to show his work in Ferguson as a way to address the continuing presence of racism.

Updated 2:30 p.m. July 13 with comment from Monsanto — Farmers can resume using the herbicide dicamba, the Missouri Department of Agriculture announced Thursday.

The new restrictions come less than a week after the department issued a temporary ban on the sale and use of the controversial herbicide. Missouri has received more than 100 complaints this year of drifting herbicide, which had damaged crops.

Music played an important role in the civil rights movement that helped transform the nation. Songs such as Sam Cooke’s “A Change is Gonna Come” and “We Shall Not Be Moved” by Mavis Staples inspired black people to push for change — and moved the hearts of others.

What would you do with $2,500 and three pallet loads of brick? Four St. Louis art groups and collaborators will soon have an answer in the next phase of a year-long public art project overseen by the Pulitzer Arts Foundation and the Sam Fox School of Design and Visual Art.

Early on election night last November, artist Bunny Burson looked to New York City’s Javits Center ceiling, expecting confetti to fall to celebrate Hillary Clinton becoming the nation's first woman president. But the confetti never fell.

Crushed by Clinton’s loss to President Donald Trump, Burson began an almost two-week journey to track down the confetti, which she thought would make great material for artwork.

People in the St. Louis region will soon have a chance to let arts advocates and funders know how to better connect with the public.

Last week, the Regional Arts Commission, or RAC, launched an initiative to bridge the gap between area residents and the arts community. 

“It’s really more about just being more aligned with what is relevant for the community today and not just based on the way we did business more than 30 years ago,” RAC Executive Director Felicia Shaw said.

On April 30, Francis Rodriguez, the owner of Yaquis on Cherokee, was drawn to his apartment window by a commotion outside on Cherokee Street. Rodriguez lives above the pizza parlor and, as shots rang out, he and his wife dropped to the floor. After a pause, he ran downstairs to check on the restaurant, where people didn’t immediately recognize the sound of gunfire.

“They're still playing music in here. They didn't hear the shots upstairs that are right outside the door,” he said. “But just as I open up the back door from our apartment and hear people start raising the alarm in here [Yaquis] and so people started screaming and falling onto the floor.”

The Arts and Education Council of Greater St. Louis will honor two performing arts advocates with lifetime achievement awards during the 2018 St. Louis Arts Awards.

For more than 40 years, bassist Jim Marsala toured with Chuck Berry. They played together in the Kremlin in Moscow, on the beaches of Rio de Janeiro, and at Berry’s regular Duck Room show at Blueberry Hill in the Loop.

In the early 2000s, Berry’s son Charles Berry Jr. joined the band. Berry then began music, writing piano lines, lyrics and guitar parts for what would be his final work — tapping Marsala and his son on guitar.

Those recordings will be released today in the rock icon’s final album, “CHUCK.” The younger Berry says it’s a classic, and shows that late in life his father remained a gifted songwriter with a knack for making people dance.

Sculptor Kahlil Irving has been making art for more than 10 years and his reputation as a critical thinker and talented sculptor continues to grow. But all too often, he says, people primarily think of him and other black artists in St. Louis in terms of their race. And Irving’s sick of it.

Don't count on using an interlibrary loan service to get a book from outside your town or county in the future. Services like interlibrary loan may be at risk in the upcoming round of federal budget cuts.

The Trump administration’s proposed budget, released this week, would eliminate funding to the Institute of Library and Museum Sciences, a federal agency that provides significant funding to Missouri’s state, local, and county library systems.

Most people probably don’t think artists develop their exhibits by meeting for coffee, walking through the park, and talking. But that’s exactly how the Daniel Burnett-curated show, “Anchors,” came together. Burnett said his initial approach wasn’t about finding the biggest names in St. Louis, but finding out how artists might fit together to represent the visual art community.

As Washington University student Sagar Brahmbhatt went through training in the school’s Uncle Joe’s Peer Counseling program, he was struck by the value of a fundamental emotion: grief.  Brahmbhatt learned that internalizing emotional pain without an outlet can be harmful and that grieving is healthy. 

“Once you do accept grief, although you do feel sad, you’re more at peace with it” he said.  “And eventually, once you go through the grieving process, you may get better.”

Updated with information from the Board of Aldermen President Lewis Reed's office — The St. Louis poet laureate position is vacant following the resignation of Michael Castro over the city's failure to pick his successor.

Castro, the city's first poet laureate, stepped down Thursday, noting that it was unfair for him to remain in the position when another poet had been named to succeed him.  In December, a committee recommended Jane Ellen Ibur take up the mantle.

But that choice was met with pushback by some members of the public, and Board of Aldermen President Lewis Reed has not moved forward on the recommendation.

Dave Anderson’s small basement workshop in south St. Louis is a way station for instruments used by some of the city's best guitarists. Over years, he’s developed the trust of dozens of top-notch players, tuning and rebuilding their instruments. Some play clubs around the city, some tour and some are relatively unknown, content to just do their thing.

Nearly two months after guitarist Chuck Berry died, St. Louis is seeking proposals to develop a museum and cultural district in Berry’s former neighborhood.


 

The Land Clearance for Redevelopment Authority announced Monday it wants private developers to rebuild Berry’s home in the The Greater Ville neighborhood in north St. Louis. 

Jane Jones was overwhelmed when she first visited the 6 North Apartments building in the Central West End.

Built in 2004, it’s the nation’s first building constructed entirely under the universal design concept, which incorporates features that allow people with disabilities to live in the space. It can be defined as "the design of products and environments to be usable by all people, to the greatest extent possible, without the need for adaptation or specialized design."

Jones, who is blind, moved there in 2012. She couldn’t imagine living anywhere else.

The Contemporary Art Museum has hired a chief curator.

Wassan Al-Khudhairi, a curator of modern and contemporary art at the Birmingham Museum of Art, joins CAM in August.

Al-Khudhairi, whose work places a priority on interactions with local audiences, replaces Jeffrey Uslip, who resigned late last year amid controversy over a solo exhibition by artist Kelley Walker.

Ohio-based artist Mitchell Eismont’s interest in the ongoing Syrian refugee crisis developed while he was producing posters for East Coast musician Chadwick Stokes' “Forced to Flee” tour. Inspired by Stokes' dedication, Eismont began work on a series of prints supporting immigrants and refugees, featuring cultural figures like the Dalai Lama, Jesus and Albert Einstein.

“I think it’s probably the crisis of our generation,” Eismont said of the crisis, which stems from a long-running civil war. “I think it’s important to try and help with the situation.”

Saturday is Record Store Day, an international event developed in the age of the internet to build awareness for brick and mortar music shops. The music-buying public has embraced the event and many stores use the day to host live music, have cookouts and generally adopt a party atmosphere.

When folk artists die, their craft can be lost. To make sure their work is preserved, Lisa Higgins, director of the Missouri Folk Arts Program at the University of Missouri in Columbia, helps preserve those techniques.  That way, when an artist dies, it’s not the end of their expertise.

“There’s a bit of joy in there also, it’s bittersweet, to know that through the program they have been able to sit down and pass that tradition onto someone else who’s invested in it and plans to carry it on,” Higgins said.

Gene Jackson started his professional performing  career at 15 when his mom signed a waiver allowing him to perform at the Midnight Lounge on Dr. Martin Luther King Drive in the mid-1970s.

Older musicians took him under their wings, showing him the ins and outs of St. Louis’ rhythm and blues, and initiating him into a fellowship of performing musicians determined to keep soul music alive.

Roland Johnson entered the scene years earlier, started his career singing with groups at sock hops and youth dances before entering the realms of bars and clubs.

Yusra Ali, a student at St. Louis Community College, was a shy child, and took to drawing and painting at an early age as a way to express herself.

As a young adult, and practicing Muslim, she hopes to harness that communicative power of art to help people better understand the nuanced identities of Muslims.

Concerned that people in the larger community tend to lump all Muslims together, Ali organized an exhibit she hopes will help others see people who are Muslim as individuals. Creativity and Identity: A Muslim American Art Exhibition takes place tonight at Third Degree Glass Factory.   

Update 4:17 PM: this piece was updated to better reflect the use of NEA/NEH funding at the Missouri History Museum.

When acclaimed trumpeter Terence Blanchard’s jazz opera opened at the Washington National Opera last month, it was heralded as new hybrid in contemporary opera that fused musical traditions and audiences. 

For electronic musician Nathan N. Cook, abstract soundscapes, nature recordings interwoven with voices, and harsh noises, aren’t just intellectual experiments in audio editing. Instead, he finds them places of human connection.

Five years ago, Cook decided to mix those elements into recordings that capture a community of local musicians — and to share that connection with others. He launched the Rhizomatic St. Louis series, an annual album release of 10 distinct, avant-garde and experimental musicians.

When Vinnie Saletto and his wife considered adopting a child from overseas, they turned to the International Institute of St. Louis to learn more about how immigrants fare in St. Louis.

As Saletto learned more about the Institute’s mission — and noticed an increasing wave of anti-immigrant sentiment in the United States — he felt compelled to support to the organization. So he turned to his passion, music, and began organizing a benefit concert for the institute.

The concert “Rise and Scream” will take place Saturday at 2720 Cherokee Performing Arts Center. About 90 people are contributing to the event —  from bands to artists, cooks to vendors. Many will voice opposition to the Trump administration's immigration policies.

Today's the day! We've reached the end of our local Tiny Desk Contest countdown. Our final favorite to highlight? Bruiser Queen

This week, we highlighted the favorite local Tiny Desk Contest submissions ahead of a Tiny Desk STL Happy Hour concert on Thursday,  at Anew, the rooftop venue above the Big Brothers and Big Sisters building in Grand Center.

This week, we're counting down favorite local Tiny Desk Contest submissions ahead of a Tiny Desk STL Happy Hour concert on Thursday,  Anew, the rooftop venue above the Big Brothers and Big Sisters building in Grand Center.

More than 50 St. Louis area acts submitted to NPR’s Tiny Desk Contest this year. There were more than  6,000 entrees nationally.

After an intense voting round, we've narrowed down the top five local submissions to the contest, which we are highlighting on our website and on St. Louis on the Air this week. Earlier this week, we brought you interviews with Monkh and the People and Roland Johnson. Yesterday, we heard from Augusta Bottoms Consort.

Today, we turn our attention to Kenny DeShields.

This week, we're counting down favorite local Tiny Desk Contest submissions ahead of a Tiny Desk STL Happy Hour concert on Thursday, March 16, at Anew, the local rooftop venue above the Big Brothers and Big Sisters building in Grand Center.

More than 50 local acts submitted to NPR’s Tiny Desk Contest this year. There were over 6,000 entires nationally.

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