The True/False Film Fest adorns downtown Columbia with art by local and out-of-state artists every year for five days in February and March. This year, the lineup includes new and returning pieces that cover the festival’s venues and Columbia’s streets alike. The Missouri Theatre features a kinetic sculpture called “Juniper and Fyn.” The piece is the result of a collaboration between Iowa artist Taylor Ross and Columbia’s Dan Goldstein. Almost exclusively made from wood, the sculpture is of a fox that “runs” as someone cranks the gears, all of which are carved from wood. Goldstein said the project took over three months to create and was built partially by him and his son in Columbia and partially by Ross in Iowa. Many of the other installations featured in the festival have been created by multiple artists as well. Goldstein said collaborations mean the works result from multiple visions of the pieces. For example, he said “Juniper and Fyn” was originally meant to have additional creatures all around the sculpture, but as the production of the piece played out they were removed from the vision. In addition to the larger art installations, True/False recruits local artists and their art staff to create pieces and decorations for some of the different venues, like the Box Office, which was decorated to reflect the festival’s 2014 theme – magic. Many pieces across the venues are interactive, which is in line with the general theme of audience participation throughout festival. The art will be accessible for the duration of the festival, and some, like “Juniper and Fyn,” will remain in True/False’s possession and will likely make future appearances.
Yeah, the films are cool. But check out the art of True/False (Slideshow)
KBIA |
By Emerald O'Brien
Published February 28, 2014 at 6:17 PM CST
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A sculpture made of boxes, coils, and wood is installed over Alley A between Ninth and Tenth Streets on Friday, Feb. 28, 2014.
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An upward view of Eric Rieger’s Resilience in Jesse Hall on Thursday, Feb. 27, 2014.";
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A ceramic bird perches on the windowsill of the ‘Q’ room at the Tiger Hotel on Thursday, Feb. 27, 2014. The Tiger Hotel’s theatre and ‘Q’ room are transformed into a forest for the duration of the festival. ";s:3:"uri
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One of the adhesive wall portraits by Sarah Goodnow Riley-Land and William Riley-Land hangs in the alley next to the Blue Note on Thursday, Feb. 27, 2014. According to the True/False website, these pieces were inspired by Italian street art.
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Two of several painted sculptures by Lizzie Bryan and Britta Simpson decorate the lobby of the Missouri United Methodist Church, AKA the Picturehouse, on Thursday, Feb. 27, 2014.
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An adhesive wall portrait by Sarah Goodnow Riley-Land and William Riley-Land sticks to the brick in Alley A between Tenth and Hitt Streets on Friday, Feb. 28, 2014. This is one of three temporary portraits that can be seen in that section of the alley.
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“Barb the Buffalo” makes her fourth True/False appearance at the First Presbyterian Church, AKA the Globe Theater, on Thursday, Feb. 27, 2014. She is covered entirely in computer keyboard keys and wires. ";s:
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Chimes and animal bones hang inside the Primordial Mystic Reliquary of “Spaceship Earth” outside of Ninth Street Video on Hitt Street on Thursday, Feb. 27, 2014. The interactive sculpture welcomes viewers to “Come Inside.”";s:3:"u
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Missouri United Methodist Church, AKA the Picturehouse, houses hanging sculptures by Elisa Sugar, Sarah Paulsen and Dr. Lohr Barkley on Thursday, Feb. 27, 2014. The abstract structures are made mostly of wood wrapped in fabric.
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Yulia Pinkusevich’s “Stilted” is on display on the wall of Alley A between Ninth and Tenth Streets on Friday, Feb. 27, 2014. The piece is the California artist’s representation of a utopia on stilts.";s:3:"u
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“The Dragon”, made out of painted wood, swims in and out of the lawn of First Presbyterian Church, AKA the Globe Theater, on Thursday, Feb. 28, 2014. ";s:
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Georgia McCandlish and Anya Liao’s “A Large and Sensitive Darkness” is displayed on Thursday, Feb. 27, 2014. The piece features sculptures that protrude out from a black backdrop.";s:3:
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Layers of string hang from the third floor of Jesse Hall on Thursday, Feb. 27, 2014 as part of Eric Rieger’s Resilience.";
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A bearded man with a beaver swim on the wall of Alley A between Tenth and Hitt Streets on Friday, Feb. 28, 2014. This is one of numerous adhesive installations by Sarah Goodnow Riley-Land and William Riley-Land.
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“The Tunnel” on Ninth Street acts as a doorway to the University of Missouri Journalism School on Thursday, Feb. 27, 2014.";s:
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Lanterns for the piece “TransPlant,” sit outside of the Missouri United Methodist Church on Friday, Feb. 28, 2014. These “egg-polyps” are illuminated at night and react as pedestrians approach them. ";s:3:"u
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Lanterns adorn the top and bottom of a painting of an octopus by Tracy Greever-Rice in the lobby of the Blue Note on Thursday, Feb. 27, 2014.
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An array of painted wood and wire come together to create one of the untitled structures hanging in the lobby of Missouri United Methodist Church, AKA the Picturehouse, on Thursday, Feb. 27, 2014.
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An octopus welcomes film-goers to the oceanic themed Blue Note on Thursday, Feb. 27, 2014.
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“Orange trees” adorn temporary benches outside of the Missouri United Methodist Church, AKA the Picturehouse, on Friday, Feb. 28, 2014. Several benches have been installed along Ninth Street for the duration of the festival.";s:
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The interactive “Mapacus!” in the lobby of the First Presbyterian Church, AKA the Picturehouse, invites festival-goers to spin its cubes, Thursday, Feb. 27, 2014. This installation was created by artists at the True/False Lab. ";s:
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The tail of “The Dragon” stretches around the lawn of the First Presbyterian Church on Thursday, Feb. 27, 2014. The piece commemorates Columbia’s Willy Wilson, a long-time member of the Maplewood Barn Community Theatre, who died in August 2013. ";s:3:
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The True/False logo moves across the top of the “Juniper and Flyn” kinetic sculpture in the lobby of the Missouri Theater on Friday, Feb. 28, 2014. As the gears are turned, the wood carved logo, attached to a wooden chain, makes a lap around the sculp";s:
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Local artist Sarah Mercer attached stuffed socks to a TV sculpture donated by Chicago Film Archives’ Ann Wells to make the “Coral TV Tower” on display on the upper level of the Blue Note on Friday, Feb. 28, 2014. ";s:3:
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One of the sculpted women comes out of the black wall in Georgia McCandlish and Anya Liao’s “A Large and Sensitive Darkness,” on display at the First Presbyterian Church, AKA the Globe Theater, on Thursday, Feb. 27, 2014. ";s:3:
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The (mostly) unturned map of the earth, called “Mapacus!” stands in the lobby of the First Presbyterian Church on Thursday, Feb. 27, 2014. The interactive piece allows festival-goers to spin its cubes around on their mounts. ";s:
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The fox of “Juniper and Fyn” sits atop the gears used to make it “run” on Friday, Feb. 28, 2014. The structure is made of woods both from Columbia and from the artists’ hometown in Iowa, according to Dan Goldstein, who was a collaborator on the piece.";s:3:"uri
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